‘Hotel’ featuring compositions by Philip Miller and costumes by Robyn De Klerk, is a multi-layered, dance theatre work using Guillaume Apollinaire’s poem of the same name as an starting point. People, thoughts and ideas check-in and check-out, some linger and occupy, whilst some depart as quickly as they arrive. It is an uncontrollable place which is sometimes real and then again, sometimes only in our subconscious.
“The choreographer is inspired by the saying ‘Don’t judge the book by its cover’ the choreographer believes that the reality or truth of everyone and everything lies inside, in the place where one would usually never think of looking. Hence the piece explores movements and places that make everything to be what it is”.
"Right inside” illustrates the life of a man who undergoes many challenges due to obstacles faced during his path life. The work exhibits the affect that these obstacles placed on him and how he reacted and overcame the difficulties. This work is performed in a rusty shack illustrating the reality of the setting of this work.
An Installation Piece “Deals with the agony related to domestic violence. It reveals the emotions that women undergo when trapped in this severe abusive environment.”
The Joburg Arts Alive International Festival 2011 which runs from 1 - 25 September has something on offer for young and old alike with 269 performances of 88 different shows. With 160 free performances the tough economic climate is not enough to keep the masses from partaking of the feast on offer including music, theatre, dance, spoken word, visual arts, film, comedy and workshops.
The South African New Plays Writing Programme is presented by the Wits Theatre in partnership with the Department of Arts and Culture, the British Council, Sustained Theatre UK, the National Arts Festival Grahamstown, Artscape, the South African State Theatre and the Space.com at Joburg Theatre.
Thursday 24th March, sees Drama for Life (DFL) launch their 2011 national programme roll-out.
DFL’s scholarship programme, currently in its fourth year running, aims to step outside of the statistics around HIV and AIDS and address the lived reality of individuals and communities dealing with complex issues related to this pandemic. Working within the African context, DFL advocates an applied arts approach that incorporates the dramatic, visual and musical arts amongst many other hybrid performance forms that speak to the cultures of people dealing with these issues.